I know there’s been a backlash against The Muppets and a backlash against The Muppets and as we were doing this video, it made me a little sad to realize that I fell right in the middle; I just don’t really have an opinion on The Muppets right now. I still find them funny when I watch them, but I don’t go out of my way to seek them out and my kids haven’t yet latched onto them. (Although Carolina’s favorite thing to say right now is, “ELMO! ELMO! ELMOOOOOO!”)
The first movie I ever remember my parents taking me to was The Muppet Movie. I don’t even remember the movie, I just remember the experience of going and hearing my dad tell people how much he liked the movie, too.
So, I really hope the movie is good and maybe we’ll end up taking the kids and they’ll remember that experience someday. Maybe Elmo will make a cameo and that will really make it memorable for Carolina.
There’s a lot to talk about so let me get the housekeeping out of the way first. The video above is part of a story that’s running in Saturday’s newspaper, part of the ongoingonline identity series.
I shot and edited the video and I think it’s the best video I’ve done, content-wise. It says exactly what I wanted to get across and is very close to what the story says. I dread editing video and it always feels like I’m having to learn how to do it all over again, but I feel like the time I put into this one was worth it.
On the day of the Emmy Awards, I had a piece run in which I tried to make the case that Friday Night Lights should win the Best Drama Emmy. Of course, it didn’t, but I was still thrilled that the show won a writing award and that Kyle Chandler walked away with an Emmy for acting. I’d call it even.
I recorded and posted a new Digital Savant podcast, the first one in about two months, with Michelle Greer, who is leaving the Austin tech community, a loss for all of us in the area.
That’s a lot of stuff, right? Allow me to explain.
The week before Labor Day, right before I went on vacation, our editor abruptly resigned. I tried really hard not to think about it and to dwell on that during my time off, but when I came back to the office, the mood around the office had changed and ever since I’ve been feeling the void.
Fred is someone that I had always tried really hard to impress in all my time working on his staff. In that way, he was very much like a parental figure for me. He’s not an easy person to blow away and when I knew I’d done good work that earned praise from him, it always meant a lot to me. He’s also a very funny person (in a bone-dry Texas summer kind of way) and I respected his opinion and his hard-assedness about things even when I didn’t agree with him.
The one time I ever cried in frustration about something work-related, it was in his office. He kindly, quietly, passed me a box of Kleenex.
His leaving has left me feeling a bit adrift, as have other changes as the paper. I’m not job hunting or worried for my livelihood or anything, it’s just big changes in a short amount of time. We’re all adjusting, some staffers more than others. For me, I think I’ve been working harder, trying to take on more things, unwilling to allow myself to pace myself like I should. I’m panicking, maybe, and probably unnecessarily.
So I’m trying to be better about that. I do miss Fred, though. He was a looming authority figure in my life — in the best possible way.
Outside of work, I’m working on a few writing projects and the summer laziness has given way to trying to remember what it’s like to be busy again and be juggling a bunch of things.
The big writing project I’m working on with my friend Tracy is actually making some progress and it’s scaring me a little. I write a lot, all the time. but I’ve never actually written a single volume of anything longer than about 100 or 200 pages (and that was unfinished). You could add up all the recaps I did for Smallville and it would be a few thousand pages, probably, but it’s not the same as trying to build something cohesive and I’m trying really hard not to scare and intimidate myself into being paralyzed into not doing it. Apart from Tracy being one of the friends I’ve kept the longest and being a funny and knowledgeable writer, I think I want to write with her because I’m been fearful of doing it completely alone.
That’s one reason I’ve never written a book. I’ve been too afraid of failing at it or doing it and realizing it’s not good enough to get published.
Lilly is getting old enough that she’s aware of the concepts of tomorrow and of wishes and, strangely, unicorns, which she wants to see at a county fair we’re going to this weekend.
She’s reached the age where she can see what tomorrow might be like and hope for things to be there. She’s not afraid of that future; she wants it to get here as soon as possible.
I’m trying to shed some fear, too, and to build a life where my kids embrace possibilities and don’t shut down their own abilities before they even have a chance to get used.
It it quite true that my brother knows much more about sports than I do and that Aaron Sorkin probably does, too. Sorkin scripted the upcoming movie Moneyball, about baseball and sabermetrics (hey, wake up!), which stars Brad Pitt, Jonah Hill and Philip Seymour Hoffman. It’s also our last Trailers Without Pity episode of the season. We’ll be back in late October with new episodes.
If you get bored the rest of the summer, you could check out the Trailers Without Pityvideo archive/episode guide. Fun times!
We’re down to the last two episodes of Trailers Without Pity for the season (we’re not even sure what the last one will be; we’re still deciding). Our penultimate video for Season Three is this one for the pec-tacular Conan the Barbarian, a remake (or a reimagining? I’m willing to bet it was more making than imagining at work here) of the Arnold early 80s sword and crotch-garb classic.
I’m a sucker for these kinds of movies (or at least mocking these kinds of movies from afar); my favorite episode of Mystery Science Theater 3000 remains Cave Dwellers, starring Ator the Juiced. I could watch that a million billion times. The new Conan looks even dumber and more expensive. It’s kind of thrilling, really, how respectably goofy it looks.
Oh my goodness, do my brother and I love monkeys. I mean we LOVE them. We ARE them, in our dreams, I think. Goddamn a banana sounds good right now. I’d settle for a plantain, even. Know where I could score a plantain?
So… cowboys. They are dusty! And aliens. They are often shiny or slick with grossness! Put them together and you have… this movie thing.
Despite the potential of this concept, I wasn’t too thrilled about the initial trailer that ran during the Super Bowl; it feels way too on the nose and like a grim, money-extracting mechanism you install in a movie theater, not unlike an obligatory system software update.
The trailer we ended up looking at for our latest Trailers Without Pity video is a little more lively, but that’s like saying an old, sedentary man barely clinging to life is more sprightly than most zombies. It’s not exactly a useful comparison.
In any case, here’s our video for the Jon Favreau-directed Old West alien invasion movie Cowboys & Aliens.