Tag: npr

  • I Disappear

    I’m about to disappear into the hidey hole of South by Southwest Interactive, tomorrow in fact, which is not new. It’s become so routine, in fact, year after year that at my house we don’t even panic and scramble over it, we just know that those five days, Daddy is gone and we need a little extra help and planning.

    But there’s some weirdness that this is the most public I’ll be all year, out from around 10 a.m. till probably 1 or 2 a.m. every night, meeting new people and seeing old friends. But at home, I’m just gone and disappeared. It’s like SXSW Interactive, for one week of the year, is a second family and I’m all Charles Kuralt up in there.

    And then I’ll be so exhausted when it’s over I’ll stay home and miss all the Music fest stuff as I hibernate. My kids already think I’m some kind of bear, so perhaps this will comfort them.

    ANYHOO!

    Here’s all the stuff I’ve been working on the last few weeks. I’ve been writing and typing so much for so long lately that I truly feel my fingers might fall off and it was all I could do to round this up, but I know that if I don’t do it now, on the eve, it will have to wait till after the festival and the hole will be much, much deeper.

    Here’s the roundup and thank you for your patience. I’d like to write more essays here but the truth is that I feel like I’m spending lots and lots of time writing either for work or for the other projects I’ve mentioned that there’s barely anything left but fumes by the time I’m done. I’m hoping things will settle down in a few months because some of these things are winding down or eventually they’ll be completed.

     

    Work stuff

    I hadn’t written anything for CNN in a long while for lack of me pitching them any ideas, but they were kind enough to let me write about SXSW Interactive as I was already gathering intel for the Statesman and doing lots of interviews.

    CNN-SXSW 2013

    My article, which was actually written almost a week ago, was about whether the hype at SXSW Interactive is dying down and if the festival has peaked (and whether that’s a good thing.) Since the article was sent in, my email inbox has a’sploded and now, I fear, the hype is even bigger/worse than last year. Somehow I had forgotten that people like to knock on our door at the very last minute with news and information and that this always makes life harder for everybody. But I think there’s still some good insights about the fest from the people I interviewed.

    For the Statesman, of course, things have been hugely busy leading up to the fest.

    This Thursday, I did a big Life & Arts story on free official events at Interactive.

    Tardar Sauce (aka Grumpy Cat) Photo by me

    In a very strange series of events, I met Grumpy Cat, the Internet meme sensation and even took a photo and shot a Vine video (below).

    Emma Janzen and Tina Phan on our staff did a great video and I make a short appearance getting all cat-love on poor Grumpy Cat.

    Further back, I did a Digital Savant column rounding up reviews of an Acer W700 Windows 8 tablet and the great Studio Ghibli-animated game Ni No Kuni: Wrath of the White Witch. This week’s column was also about SXSW Interactive, a preview of the first two keynotes from adventurous entrepreneur Elon Musk and design guru Tina Roth Eisenberg.

    The recent Micro features were “What is jailbreaking?” and “What is Google Glass?”

    Speaking of Google Glass, I was on NPR’s On Point With Tom Ashbrook recently talking with Amber Case and Ben Chigier about wearable computers and user interfaces. It’s a full hour, but there was lots of great discussion and questions from readers. (An emailer told me I talk too fast and that they could not listen to me.

    And from the random files, I interviewed LeVar Burton about a Holodeck project AMD is working on as well as Demand Media CTO Byron Reese about his upcoming SXSW presentation.

    I also drew a very ugly picture of what the PlayStation 4 might look like.

     

    Non-work stuff

    The new sketch show that I helped write, Pulga Nation featuring the Mexcentrics, opened tonight.

    It’s weird not being there for the opening and with the festival starting, not even being 100 percent sure I’ll be able to see the show. I caught a rehearsal the other night and all the nights spent in theaters rehearsing during the 10 years of Latino Comedy Project came flooding back and I remembered how much I missed it.

    It’s a mix of people I’ve worked with for many, many years and new people. It’s exciting and fun and seeing words that I wrote up on a stage again, especially when the words are coming out of the mouth of my friend Patti, who makes me laugh always, has been a thrill. The show runs through Saturday. If you’re in Austin, please try to catch it.

    Grumpy MeanyOur Space Monkeys continue to thrive. Their Twitter account is starting to take off and the new comics, I think, have been really good. And we’ve been consistent, posting every week, no exceptions.

    New comics include one about the horrible game Aliens: Colonial Marines, a strip about an evil Higgs boson particle and this week’s comic about Grumpy Cat (kind of a coincidence, that). I also did a surprise birthday ¡Pescados del Mar! comic for my brother, drawn in my own horrible scrawl.

    And because I hate to leave the girls out, here’s a Vine I posted of them playing at a gymnastics center for the first time. Those children lost their damn mind having so much fun.

    I’ll be back after SXSW, post-hibernation.

  • Omarstradamus returns

    No, not the Twitter account, just my now-annual attempt to gaze into the future of personal tech. It was Monday’s Digital Savant column, written ahead of vacation, predicting what I think might happen in 2012 in technological areas important to our lives such as:

    • What’s the deal with Netflix?
    • And Facebook? What’s up with THAT?
    • OH MY GOD, WHAT ABOUT APPLE!? We should have asked about Apple first! Tell us, O Oracle!
    • Will I die? Please be honest.

    Incidentally, here were my 2011 predictions. I’m so glad I didn’t predict we’d be in flying cars by December like I had originally planned.

    I have another column coming next Monday that I wrote before the lengthy vacation into which I am currently nuzzling my warm puppy nose.

    In the paper this week, I also had some blog pieces reverse-published including this write-up of Grande Communications’ new TiVo Premere box and a review of Sony’s 24″ 3D Display.

    Mostly this week it’s been quiet and I’ve been trying to rest up after a really, really busy weekend with family and with the girls. One break in the vacation that was a surprise, though, was that I got a call on Friday to appear on NPR’s Tell Me More. The live segment was produced on Tuesday morning and you can hear/read the whole thing on this page. It’s about Amazon’s Price Check app and small retailers. I had a whole page of notes about how the app works, where the tech comes from and who else is doing stuff in this area, but we didn’t really get to any of that. Instead, I got to say, in a nutshell, “Yeah, I can see why business owners would be upset.” Very different pace than All Things Considered or At Issue with Ben Merens, but the behind-the-scenes of it was that they run a very tight to-the-minute ship even though it sounds pretty free-flow. Even when things like this are unpaid (and the only time I’ve ever been paid for radio stuff was with All Tech), it’s still a good lesson to see how these shows work and to get a sense of what their producers do or don’t know about tech culture and trends.

    Riding' presents. Merry Christmas!

    The girls I mentioned before have been running us ragged, fighting over new toys and getting up at all hours of the night, completely wired and destabilized for the holiday season. They went back to daycare yesterday and I’ve been enjoying the relative daytime quiet before they come home and it turns into something out of Mad Max to get them bathed, fed and to bed.

    On the other hand, it was nice not to have deadlines and a bunch of stuff to write and to be able to just hang out with them or with family without stuff hanging over my head like most years. Why was I thinking I’d be doing a bunch of work this week? That was dumb. I’m going to go run through like 20 hours of sitcoms, read some books and do some baking instead. Who wants cookies?

  • Pointedly

    'Snuggle Mountain,' an app mentioned in this week's Digital Savant column

    My energy level is up in a major, scary way, one of those “LOOK OUT, WORLD!” feelings that the world, it turns out, has largely seen before.

    For a few weeks I wasn’t going to the gym as often and I was eating… not great, and my energy level was just total shit. I was getting sleepy at 10 p.m. even when I’d had a decent night’s sleep and just was getting no writing done in at night, never mind actual house stuff or getting organized.

    Maybe it’s that it got hot again for a weird week, but now that the cool weather is coming back I feel like I’ve got my second (cool) wind. It’s nice. Stuff’s getting done. Waste paper is landing in basketball-hoop-style trash can novelty toys. The blood feels like it’s moving again.

    It’s a good thing because this morning was the first time I’ve done an NPR thing since March. I was invited to go on the show On Point with Tom Ashbrook to talk about the Amazon Kindle Fire and the tablet wars in general. (TABLET WARS! THEY’LL SLATE YOU… THIS CHRISTMAS.) You can listen to the one-hour segment (there were other guests as well) on their web site or just download the MP3 here. I think it went well. I did a ton of cramming and reading over the weekend in preparation, but went in with minimal notes and, in a big departure from when I used to do All Tech Considered, I was able to keep my laptop open and have an Internet connection. Something about having Twitter running in the background and access to information if I need it just calms me. Feeling hermetically sealed often makes me talk faster and feel less confident. Either way, it was nice to be back on the air.

    A few other new things: today we ran a Digital Savant column about an upcoming digital storytelling symposium for children’s book authors and illustrators. There’ll be a lot of talk about ebooks and children’s apps and I’m all over that.

    Last week, I wrote a blog post that ended up running in the paper about the future of vending machines. It was pretty snacky.

    That’s about it right now. I’m looking at a few more weeks of knocking out some stories and columns before I take another vacation in early November, right after Halloween. We’re trying to potty train Lilly at night (no more Pull-Ups!), but that’s challenging. Carolina has learned how to fight back when her sister takes items away from her and that’s… loud. Our fall looks like zoo visits and Wurstfest and putting away the plastic swimming pool and, for once, I’m OK with that. I had a great summer and I don’t feel bitter that it’s gone like I usually do, especially with the awfulness of the temperatures and the drought this year.

    Work is work; a few more staff members are leaving or shifting into other roles and I have a hard time remembering when things were “normal” or if that was ever really a state of being there.

    One thing I saw today really affected me. I went to Goodwill Computer Works to interview someone for a story. As I was wandering around, I saw this hanging up near the front:

    The air went out of my lungs and I just stared, mouth agape. I wrote the story in 1997. I’d just been hired a few months before and it was one of the first big, ambitious stories I wrote. It’s still one of my favorites, a piece about the Apple Lisa back when it looked as if Apple might not even exist in a few more years. A rush of emotions filled me, but I just turned away, smiling. The man I was interviewing walked into the room and it was time to get to work.

  • Fest Rest

    Kangaroo kuddle

    For about a month and a half, starting at the beginning of February and ending less than a week ago, my whole life was pretty much South by Southwest Interactive.

    The festival takes place in Austin every year and for the last two has been growing at a rate of more than 35 percent, year-over-year. Like smartphones and apps, it’s become one of those things that only becomes a bigger and bigger part of my job. It’s not just a national tech story that publications like Wired, CNet, The New York Times and others pay attention to, it’s a local story for us. And as the lead reporter on it for my paper, I get really, really competitive and territorial about our coverage. It’s probably the only time of the year that this journalistic bug hits me, where I turn into one of those guys with the hat with “PRESS” on it and bark things out like, “You’re not gonna scoop me, ya out-of-towner, see?”

    The “See?” is probably unnecessary.

    But it really does take over my life for a good while. I turn down freelance assignments and other offers to do stuff with, “I can’t. South by Southwest.” We coordinate a schedule of babysitting help for my wife with the explainer, “South by Southwest.” When I go to get a bite to eat at a restaurant and they ask what I want, I say, “South by Southwest.” Then they bring me back a soggy sandwich and I wonder if perhaps I’ve gone too far.

    What is the festival? I don’t really know anymore. It was once a funky, centralized festival for CD-ROM producers, digital artists and people dabbling in online porn (“dabbling” is a good word for that, don’t you think? It’s dirty-but-not-quite-dirty-sounding).

    Today, it’s a massive social media event, a place where start-ups try to get a foothold with early adopters and a place where huge companies spend hundreds of thousands of dollars to get their brands in front of bloggers, top Twitterers and the press.

    For me, personally, it’s the hardest I work all year on any one project. It’s also the only time of the year I have a free pass to stay out as late as I want for a whole week and to really throw myself into coverage.

    Social Media / Middle East Core Conversation

    I won’t bore you with the play-by-play because I pretty much did that with Twitter for a whole week (and then some) to the point where I wondered if one more post with the hashtag “#SXSW” was finally going to drive my friends away for good.

    I took last Thursday and Friday off after the fest and am scheduling some vacation time soon.  You’ll see why below.

    Here’s a lot of what I wrote in that blaze of pre-festival, mid-festival and post-festival activity.

    Me and Joy!

     

  • Story times

    Yesterday, a segment I recorded for NPR’s All Things Considered about children’s storybook apps (a subject I’ve been knee-deep in since about last August) aired. We scripted and recorded it a few weeks ago and in the time I was waiting for it to go live, I became increasingly convinced that it would be met with disapproval from the same NPR commenters who think it’s crazy to have sensors monitor the health of senior citizens or that iPhones are destroying civilization.

    I wasn’t disappointed! The comments on the NPR page for the piece have ranged from a smattering of “Hey, it’s fine” comments to a more consistent drumbeat of readers and listeners who think I’m destroying my 3-year-old’s imagination and rotting her brain and eyes with these dangerous apps.

    Memorably, one commenter suggested we let Lilly sleep with the iPad under her pillow or on her chest so she gets cancer. He later said he was joking, but despite my love of dark, disturbing humor, this one didn’t strike me as particularly humorous. Maybe I should lighten up!

    Anyway, this time I had decided not to respond because I knew the comments were going to be as wild and vicious as the ones that accompanied the CNN.com piece I wrote about religion and Facebook.

    But then I responded to one commenter’s question about CD-ROM adaptations and, well… let’s just say you shouldn’t wish cancer on my kid, OK?

    Apart from all that expected mess, it was nice to be back on the air after a long break and very cool to see Lilly’s face on the front of NPR’s website and to hear her voice on the airwaves. I thought she did wonderfully and the audio is something I’m already coming to treasure.

    The other stuff I’ve been working on, apart from gearing up for SXSW Interactive, are a possible podcast I may start doing at work for Digital Savant, trying to go to the gym more often (we have a new fitness center at work), shedding our VHS tape collection and doing more stuff with Kirkus Reviews on the iPad app front. Or as the commenters see it, ruining my daughter’s life.

    You know, tomato, to-mah-to.

  • Untied knots

    Image courtesy Grog LLC’s ‘Animated Knots’ app

    I don’t know if it was the vacation I took from work in late December, the fact that I just purged out my desk at work and moved to a new one (more on that in a sec) or just a general sense of delayed New Year’s reflection, but I haven’t felt this content, centered and focused in a while. It just makes me realize what a nervous wreck I was last summer and fall as I was galloping to try to catch up on major writing assignments at work (and at home) and balance it with a toddler on the brink of being potty trained and an infant in the house.

    Whatever the reason, the last few weeks have felt really good in some weird, undefined way. The air seems scented with possibility and at one lull in my December vacation, my wife joked about how relaxed and laid back I was, something she rarely gets to see.

    “Oh, don’t get used to this. Relaxed Omar will be gone soon. Say goodbye. He’s great, but he’ll disappear by mid-January,” I told her.

    I think she may have cried.

    The 2011 good mood is partly because a lot has been resolved of late. The Kirkus Reviews project, which started back in October, is finally wrapping up, at least in its current phase. I committed to write 50 children’s app reviews, which at the time seemed like a ridiculous, theoretical number, the kind of challenge a competitor at the Coney Island 4th of July hot dog eating contest might accept. I just didn’t think I could do it, no matter what the offer was on teh table. So I did it anyway.

    Breaking it down to five reviews a week (and then, when even that seemed daunting, breaking it up to three reviews written by Sundays and two by each Monday) really worked. I turned in my last two reviews with a week to spare (we agreed to have 50 reviews done by the end of January) and I was lucky enough to work with a great editor, Vicky Smith, who guided me through the unfamiliar territory of children’s literature and gave my short write-ups careful, witty, knowledgeable edits. It was a good experience and I may stay on doing app reviews (but in much smaller numbers) for Kirkus as they continue covering the emerging digital book market.

    The other major loose end was that, on my wife’s solid suggestion, I called up my contact at NPR to find out what was up. It was a great conversation and, as it turns out, my fears that I had been unknowingly put out to pasture and was unworthy of being on the radio anymore were unfounded. The stuff I do for them in the future will likely be different than what I was doing before, but in a really good way. I wrote up and recorded a segment for them that is scheduled to air on Monday, Jan. 31 on All Things Considered. We’ll see how that turns out, but it was nice to find out that the door hadn’t been shut on me. It relieved a lot of anxiety I was having (but was trying not to acknowledge).

    In general, I feel an easing of tension, a lack of nervousness and anticipation. In the past, I’d have interpreted it as feeling that my life was boring and I was being unambitious, but lately, I’ve come to embrace having a little free time and room to breathe.

    Meanwhile, my day job continues as usual (or, hey, better than usual). We’re already preparing for South by Southwest Interactive in March, but in the meantime, I’ve had a few stories in the paper. On Monday, I had a piece on the front page of the Statesman about an Austin-related lawsuit filed against Courtney Love. I got to talk to some lawyers about libel law and how it relates to social media. Read it if you want to know if your Tweets and Facebook posts could get you sued.

    I also did a “There’s a Creator for That” app feature about “Animated Knots,” an iPhone app that is about knots and how to untie them.

    I got quoted in a Huffington Post piece about the 30 most underrated tech innovations of 2010 and the book I wrote the foreword for was featured in a New York Times Magazine article and on an NPR Fresh Air segment. So those things were pretty cool.

    Also did a short piece about a new order-from-your-seat technology at Austin’s Frank Erwin Center called Bypass Lane and on Digital Savant, I covered a little breaking news about layoffs at Junction Point Studios.

    Next week, we start up a new season of Trailers Without Pity with our first new video since early November.

    At work, I switched desks, which was an occasion to completely clear out my old desk (as well as the new one) and to wipe both of them down and get all the grime and dust and disorganization cleared away. We’re doing the same thing in our home office; January for me has been a time to throw old stuff away, donate whatever I can and think about how I want to live and work and exist in my space.

    It’s been very liberating to come to work and not face stacks of paper and books and just schmoot all over the place. I know it might not last long, but right now everything fees like its in the right place, that things are focused and correct, relaxed, but poised to act.