Gina is a project, a kind of challenge, an experiment.

 

I ask myself if I can know her, and the more I ask, the more I wonder if you can know anyone.  If anyone is really knowable to someone else. The adulterer in the stable 41-year marriage. The killer inside the nice neighbor.  The do-gooder hidden by outward psychosis.

 

So I write.  And I try to observe.  And I try to know her, to see what can be seen from outside.